Released on Aug 30 2008
#59 – Can’t Stop the Dance

I arranged a CD trade to obtain this out-of-print gem, “Can’t Stop the Dance” by Yardcore Collective, and you’ll hear all 26+ minutes of it this show. “Can’t Stop the Dance” is a 1994 megamix, produced by Handel Tucker, Maureen Sheridan, and Sly Dunbar that features Junior Reid, Buju Banton, Snow, Jack Radics, Junior Tucker, General Degree, Wayne Wonder, Papa San, Tony Rebel, Chevelle Franklin, Nikki Tucker, Little Lenny, Anthony Red Rose, Carlene Davis, Bunny Rugs, Ibo Cooper, Diana King, Stanryck, Daddy Lizard, and others. I used to play it during my college years at WERS 88.9 in Boston and now I can finally play it for you.
Jah Cure – To Your Arms of Love
Tami Chin – Over and Over Again
Richie Spice – The World Is a Cycle
Yardcore Collective – Can’t Stop the Dance
Today’s show is filled with variety. It starts off in hype style with 20 year old Jazmine Sullivan’s new song and a big combination tune featuring Busta Rhymes, Akon, Shabba Ranks, plus their respective rhythms. Then get set for two short rhythm updates, Alton Ellis – “So Much Love” and the Studio One version of “Sentimental Reason,” a cover of the standard, “For Sentimental Reasons.”
Part two of the Delroy Wright interview and feature picks up with the producer speaking about specific artists he worked with including Al Campbell, Billy Boyo, Don Carlos, Junior Reid, and others. He also talks about his current distribution business and his future plans. Everything involves paying respect to the music’s elders.
This is your opportunity to hear a rare interview with Live & Learn label owner, Delroy Wright. Most active as a producer during the ’80s, he produced the Mighty Diamonds, Wailing Souls, Michael Prophet, and many more. You’ll hear about them all in two separate parts. Part 1 begins with Delroy’s early years in Jamaica and the influence of his father’s sound system, the family’s migration to the U.S., and his and his brother’s start in the music business. You’ll hear about Delroy’s band selection process when it’s time to record, an interesting view of Barrington Levy, and thoughts about other artists. 
